Tom Hardy and Gareth Evans team for severe shooting.

Nobody simply shoots one It was filmed in “Havoc”, the new action chaos of director Gareth Evans. When people target their weapons here, they release an almost impossible torrent of tours, and they will fire continuously, turning the soundtrack into a fire river. When the lead stops at the end, your ears will be a ring. Everything is a bit overwhelming, to the extent that the latest movie for Ivanz, which goes directly to Netflix, begins in the comic growth unintentionally. By the time when she reached a climate moment, where a personality referred to an automatic weapon to someone and fired while a fountain of blood in her face was screaming, she felt an unimaginable desire to laugh at the violent tampering in everything. Yes, do not make mistakes: “ruin” is violent To the maximum. But this asks a question: How fun is to see a lot of meaningless violence?

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Evans, who has been working on “ruin” for years (actually wrapped at first photography in 2021 Before the need for some resale operations), he is considered a supporter in regulating the decline of the jaw, as its fans “The raid” movies It can tell you. These are brutal clicks, but there is a certain amount of pleasure you enjoy in watching characters overcoming hell from each other. However, the “ruin” is so bad that it left a sour taste in my mouth. While the criminals are the main players here, there is a handful of wild passers -by who was brutally cut – one of the harsh scene in particular has a completely innocent woman who was brutally launched to death at the hospital entrance without a real reason other than the value of shock.

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I don’t want to look like Killjoy here, but … the action films are not supposed to be Scale? Not “ruin”. Evans seems to be committed to a bad time here – a movie that was mostly organized in dirty locations, against the dark Christmas frame that can be imagined. Certainly, there is some fun you enjoy watching all this chaos is revealed, but yes, you may want to reduce a little, “ruin”.

With the start of “ruins”, the twisted policeman (Tom Hardy, Carrying out another unforgettable voiceIt is called to the place of the massacre of some Chinese triglycerides. After imagining what happened like Will Graham in “Manhunter” https://www.slashfilm.com/ “Hannibal” (an enjoyable concept I hoped to hire Evans several times here instead of abandoning immediately). When it is barely a policeman, Walker Moonight as a rented muscle of Beaumont, and he was soon assigned to try to find Charlie and his girlfriend Mia Sepulveda, who run.

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It seems that everyone wants to kill these two children, and there is no safe place in the city (the city itself has never been called, and you never feel that it is a real place – there are many wide shots that look completely digital and fake, as if everyone was inhabiting “Sin City” by Robert Robert Robert Robert Robert Robert. Evans violently after the other.

It is certain that it does not help us not to pay attention to any of these characters. In theory, we He should Basharli and Mia care, because they are a couple of children over their heads and everyone is called. But the film does not spend enough time for us to give a curse. As for the bad policeman of Hardy, there are some things here about how he is full of remorse and wants to make matters in their right quorum and save his damaged spirit, but these vulgar things, which we saw in a billion films. Hardy is an attractive actor, and he definitely physically to make all movement scenes work. But there is nothing interesting at all in his personality; He is just a man who moves from one piece of work to another with a frown on his face.

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Moreover, many of the measures that are revealed here are frustrated and difficult to follow. Evans and the film photographer Matt Flanderi are fond of shaking hands with the camera when the procedure begins, all in the name of transferring the moment of the moment. But instead of increasing the procedure, it makes it ineffective; It is difficult to get a cliff in a movement scene if we cannot see what is happening against hell.

In the midst of all this, Hardy is supported by talented persons such as Jesse Mi Lee, who does what she can with a double part (seems to be the only honest police officer in the city), and Timothy Olivant, who plays a policeman even more than one Walker. But again: None of these characters is largely. Evans don’t seem interested in people here; He just wants to replace the bodies in lead.

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“Havoc” does not deserve to be praised by organizing some unforgettable rhythms, especially a huge peak in a dilapidated snow cabin that builds, adopts and adopts to the point that you will feel the rotation in adrenaline across your body while watching. But reaching there is such a miserable courage that felt myself with the deviation of the movie.

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To be clear: I love a good movement and violence as much as I love the next elegant, but you have to give me something more than just an extremist shooting followed by another. Perhaps if excessive milk is more competitive, it will play better. Instead, it is just ugly things that are repeated in a numbness.

By the time when “ruin” ended, she felt fun like Hardy’s character, who was beaten and bruised. I assume that Evans and Company deserves some credit for making a truly brutal action movie, but there is not much you can bear before it begins to grow.

/Film classification: 5 out of 10

“The ruin” flows on Netflix April 25, 2025.