“The Electric State”, which is the latest Netflix feature of Anthony and Joe Russo, is one of the most films that were discussed in 2025 so far, but not for reasons that directors or banners prefer. In the months before its appearance on March 14, the conversation was mostly focused on the expense of production. According to what was made for $ 320 million, it is currently the most films in the history of Netflix. It is clear that Rousseau does not become cheap, and the stars Chris Prat or Millie Bobby (who gave her involvement in “strange things” and “Enola Holmes” concessionAFTERMER at home A-Lister has become, but when people see a sign like this, they expect a world-class global cinematic scene. They want something closer to “Avengers” films.
Unfortunately, they did not want the “electrical state”. Based on the 2018 Simon Stålenhag graphic novel, the movie – which focuses on a young woman (Brown) and an emotional robot looking for my previous dead brother – has received severe reviews in all fields. It currently holds a 15 % terrible rating Spoiled tomatoes ((/Witney Seibold movie despises), Which may reduce the viewer’s attention in the movie. However, it is safe to say that Netflix did not spend $ 320 million to capture a movie, according to Delivery dateAnd only 25.2 million views were born during the opening weekend. For comparison, this is much lower than “Enola Holmes 2” (32 million), “Return at Work” (46.8 million), and “Rebel Ridge” (31.2 million).
So what does this mean for Russians and Netflix?
The electrical condition is a costly failure that may cost viewers more risk films
Although either side will not come out of the “Electric State” scent like roses, the weak performance of the film will surely be the occurrence of a moment of bad press for both Russians and Netflix. The duo in the film industry will move to “Avengers: Doomsday” for Marvel Studios, while Netflix will simply end, and if there is anything, he is reluctant to spend a lot of money on the Une IP address in the future.
This is what is imitating the “electrical state” that flounders. While there was no deficiency in Schadenfreud it was expressed to the teenager, Pro-Ai Russos Take it on the chin commercially and decisively, as the only people who are likely to suffer are films who are trying to make films that are not interested in good faith and fans who are tired of their characteristics on their throat. Making wonderful films requires risks, and Netflix will stop bearing these risks if there is a load of corrupt propaganda that is all that it gets.
I would like to claim that Rousseau did not in any way gain the confidence that Netflix expressed on “The Electric State”, as each of their unpleasant efforts was poor. We hope this will not harm Netflix’s friendly talent such as Jeremy Saulnier, who made two original “” Hold the Dark “and” Rebel Ridge “) for The Streamer. We will have to wait and see how this plays.
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