The director of the chaos on filming the bodies of the movie “Exclusive Interview) in the movie (exclusive interview)

How does your approach to visual effects change from the early days of your career?

It was interesting because when “Merantau” did for the first time, I had no idea on the level where the VFX application could. This was my first experience with her. And I remember that there was one shot in “Merantau” where the man of VFX, Andi Noviato from Clay Studios in Indonesia, was placed in a digital wall for us because we were unable to build one. And I remember that I was blowing it. I don’t know why I didn’t think it was possible, because I saw a large number of science fiction films that did crazy things with VFX, but for any reason, it was never applied to my work. Perhaps because I was working low in the budget, I didn’t think it could have been achieved.

advertisement

And the passage of time, then, the more the experience you have passed, the more you work with VFX supervisors on the ground and learn what they need, and what they want to be able to bed better, the more you understand what the restrictions are, but also how we can help in global construction, in terms of work design. Because we did a lot of operations. There is a lot of VFX that helps us in places. I feel that andi is one of the best in the industry, in doing blood, debris and muzzle strikes. I just think his interest in details is exceptional.

But after that, we had incredible work from all other sellers, one of us and confronted us and Dubai, who did incredible work in building the world for us because it was clear that we were launching a movie that was placed in merging in the various eastern coast cities around America, but we shot it mainly in Wales. So it was always with one eye from looking at “Can I fill half of my framework with a real, sufficient structure, so that when we are eagle in its rest and we are, there is a reference frame to try to make it feel more cohesive so that you are not aware of his work program?” So, yes, it is a changing games for me, but how to use it wisely and how to use it in the right way is always my preference.

advertisement

amazing. So I only have a few minutes with you. I just wanted to ask if you have a favorite shot in this movie. You are talking about your inner obsessive earlier. Is one thing you really happy that you were able to accomplish it in this movie?

O man. I love the front of the killer before Lawrence. That big crane entering, and then with a motorcycle, I always loved it. But then, I also love the rhythm – shortly after that, there is a shot that moves from our leg with the Venice, the bodyguard with the Venice, who literally travels across the car while the killer gun returns to the bottom in the opposite direction. Things like this, they are only small moments, but they are like such things, their similarities, rhythms and rhythmic elements, which really excite me. When it works perfectly, there is a dance between the camera and the performance, and this makes me very excited. If I give it more thinking, I will likely reach 15 other rounds that I really love. Although I should give the credit to so -and -so to be able to implement it all the time, but yes.

The last question: Do you line up your next project as a director?

advertisement

If you ask me within about two or three weeks, I may give you a more enlightening answer. I have something that we plan to shoot in the summer. I am just shy that I can announce it so far.

Well, I am happy to hear that. Selfishly, I hope it does not take between the films this time, so I am just happy to hear that you got something cooking.

Oh, no, it is likely to be much faster. Of course, it is another ROM-Com.

“Ruin” is now flowing on Netflix.