The “balloon pop” was a viral success for black dates. Then Netflix cleared it

Although the original was called to photograph the surface level of the black dating culture, these unique elements are also what many fans have provided about it.

Netflix announced that it was taking the series “To the Next Level” in a new direct coordination and it is likely to have a much larger budget than the original, but so far it has not done well.

The first show of the series started with a young, heterogeneous white woman Rap music for being a student honors During the first ten minutes. Veteran reality TV star Johnny Pananas, 42, from MTV’s ChallengeHe was the first lucky address, but he was tired of women immediately. In one of the exchange, which initially seemed to be directed to a black contestant, he said that her feet look like “sleeping from a tree upside down.” The next day, try to clarify his statement on X, writing: “O Morons, I was actually talking about the white girl whose fingers were hanging on her shoes, which literally wearing a ridiculous tree!”

The direct version is produced by Sharp Entertainment, the company behind 90 days preacher and Love after closing. “This new repetition depends on the basic concept of the original while pushing the limits of communication, chemistry and the inability to predict,” Matt Sharp, Matt Sharp, said in a statement.

Exactly what the sharp means by “pushing the border” is not quite clear given the weight of the Netflix effect and the company’s effect on reshaping the Hollywood future. A more acceptable version than Pop balloon Not necessarily better. In fact, Netflix is ​​one of the few banners, and perhaps the only sign, which can take a real snapshot on culturally specialized projects because of the company and the brand’s arrival.

“I do not understand why they adapted it, and I don’t really understand why it is a smart play for them. What is the audience that will serve it?” Wire narrates that previously presented in Paramount, who also wanted to stay without his name, tells Wire. “It seems as if it is less than a creative development and more than a reactionary attempt to fill the gap in direct content. I will not be surprised if a senior executive of Netflix sees this and it is assumed that the black fans will gather around it or can get white fans and other audiences to take care of him.”

Every person chases the following penetration coordination, and the instinct to take advantage of the viral blow is not a wrong mistake-this fair smart work-but it may be lost in this chase, as the product moves from a platform created by the user to one without complete creative control, is the secret sauce that originally achieved success.

The sharp entertainment did not respond to the comment request.

Even with the latest batch of Netflix in live programming – it is a largely continuous work; Critic Crithle called Makak Everyone lives with John Mawlani and “Ambitious chaos”– You can only wonder whether what the true limits appear to be a Pop balloon Not all this is different from the original.

Stefan Dan, head of emerging media studies at Morehus College, says the failure of the presentation is a problem in the end of the translation problem. “The original mission of the creator is not always the source of the broadcasting platform,” she says. Dunn worries that when the broadcast platforms became more “hungry for content”, they ignored the cultural privacy, the magic that made an offer like Pop balloon A blow in the first place, for hollow standards. (Currently, new episodes of Amuli origin Pop balloon They are still published on YouTube every Wednesday.)

“Many of these signs only see the numbers. They go,” we need to confiscate it. We get this on our platform. ”