Panasonic S1R II Review: Excellent hybrid camera cheaper than competitors

with A1Sony was the first to present a high-resolution hybrid camera that was in an equal footing in the shots and video-but the boy was so beloved. Nikon and Canon followed this template with the R5 II and Z8 models that provide similar capabilities for less money, but that was still north of $ 4,000.

Enter S1R II. It is the first Panasonic camera not only an exchange of a video clip to 8K only according to the usual high standards of the company, but also taking 44 -megapixels (MP) in fast shrouds. Unlike its competitors, the new model is available in a more reasonable amount – half the price Sony’s A1 II. At the same time, it is a huge upgrade on the original S1R.

The main fishing is the lack of a high -speed stacked sensor found in other models, which may cause some deviation in both images and videos. I also discovered, although barter deserves it for the low price and the quality of the image that corresponds to its competitor. All this makes the best S1R II Panasonic camera so far and a very attractive option in the high -resolution mirror category.

Design and dealing

S1R II is similar to modern Banaconian models such as GH7 in terms of design and control design. It is much lighter than the original S1R at 1.75 pounds compared to 2.24 pounds, so it is not desirable to carry all day. As for the handling, the huge grip contains a series of hills where your fingertips sit, which makes almost impossible to drop it. The rubber outer surface is easy on the hands, although not just nice like the most softened material from the R5 II.

Panasonic controls have always loved, and in this regard, the S1R II may be the best model for the company so far. Along with the control stick and faces at the top of the front, the top of the background and the background, it has a lockable position and the archery explodes on top. You can also get a dedicated and videos button, slow and fast situations (S&S), each with separate settings. There is an automatic image adjustment key, video records buttons on top and front, light of the outcome and multiple programmed buttons.

The menu system is good at equal, with logical lists and sub -graphics. You can also find your most used jobs in the fast menu. All this allowed me to shoot photos and videos without allergy to the settings. You can also program the entire programming buttons, faces and fast menu for your own preferences.

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The rear screen is great for both content and photographers. It tends up and down to allow photographing easy public expenditures or photography of the hip and also rotates to the side so that Vloggers can photograph themselves appropriately. It is very sharp and bright enough to use it on sunny days. Electronic compute is also excellent with 5.76 million points of accuracy and magnification by 100 percent, as it matches the R5 II Canon and Feating Nikon Z8.

The battery life is not a strong point, with 350 rounds on a shipment or 280 only when using the electronic camera lens – much less than 640 rounds allowed by R5 II. It also allows only a little more than an hour of video shooting. However, the optional DMW-BG2 battery fist of Panasonic, and the hot switching of the battery is also allowed.

S1R II supports both SDXC UHS II cards and is much faster than CFEXPress Type B cards, with SSD Capture support via a USB-C port like S5 IIX and GH7. The last two storage methods allow for photography in the high -random domain and prorors to increase quality to the maximum.

Panasonic also included a full -sized HDMI port along with a microphone gas and headphones. For the best possible sound quality, the XLR2 optional supplement allows you to capture four channels with a float quality of up to 32 bits to reduce the possibility of cutting the sound. Finally, the S1R II is the first Panasonic model without a mirror with a protective carbon fiber curtain that comes to protect the sensor, just like the modern Canon and Sony models.

performance

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in spite of The original s1R The speeds of the explosion of 6 frames can only be managed, the caliph can reach 40 raw images per second in the silent electronic mode, overcoming all its competitors-although the shooting of this speed limits the quality to 12 bits. For 14 -bit quality, you need to use a mechanical shutter for explosive shooting at 9 frames per second.

However, the Panasonic S1R II has no fast sensor like competitors. The result is the shutter that can be a problem in some cases, such as the release of racing cars, fans, or golf fluctuations. However, it surpasses many other high -resolution cameras such as S5 IIX from Sony’s A7R V and Panasonic in that area.

Before the firefighting is now available and begins when the shutter is pressed. This allows you to save up to 1.5 seconds of images that may be missed by just pressing the shutter button.

Through an automatic journalistic adjustment system that was repaired in the phase and a new faster therapist, the S1R II features the fastest AF system in Panasonic so far. He can now lock someone’s face and eyes faster and follow their movements more smoothly, with discovery and automatically alteration between humans, animals, cars, motorcycles, bikes, trains and aircraft. I found it fast and reliable in general, but it does not reach the level of Sony and Canon standards for speed and accuracy.

Panasonic reinforced the body’s stability to 8 stations. This is equal with competitors, although Canon drives the road with 8.5 stops on the R5 II. However, it allows you to freeze the procedures very quickly up to a quarter in the second place in the event that you want to blur the waterfalls or transport cars when shooting by hand.

Photo quality

Wonderful image quality with good details like competitors, although it is less than Sony 61 MP A7R V. The colors are accurate as I saw any modern camera, matching or even overcoming the excellent Canon R5 II. My professional photographer friends took a number of shots with the S1R II and found that it was slightly superior to the Sony A1, indicating that they rarely need a white balance in post.

Thanks to the ISO double sensor, the low light capacity is excellent for a high -resolution camera, with noise that reaches ISO 12800 well. Moreover, pills become more problematic and can take shades on a green team. JPEG’s noise reduction leads to a good work in keeping details with noise suppression, but it becomes excessive aggressive above ISO 6,400.

If not 44 MP is not enough, then the S1R II provides a high -resolution mode that takes eight pictures with a slightly displacement sensor position and composes it in one file 177 megapixels (either RAW or JPEG). It is supposed to be used without a triple -leg holder, although I found that I still have to still get decent images when doing this.

video

S1R II is the best Panasonic camera without a mirror so far for the video, albeit with some warnings I will discuss soon. You can capture a video of up to 8k 30p 10 bits at a height of 300 MB per second, near what Sony can do much more expensive than Sony. Better, it supports excessive planning in the 5.8K raw video internally without the maximum dynamic scope, or 4K video at 120 frames per second. Finally, the S1R II is able to “Open Gate” 3: 2 capture the full sensor at a speed of up to 6.4 kg (and 8K below the road by updating the fixed programs), which makes it easy to photograph all types of formats simultaneously, including the vertical video of social media.

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Some of these decisions, especially 5.9K conditions, 60 frames per second and 4 kg 120 frames per second come with a light crop of about 1.1X and 1.04X, respectively. 4K 120 FPS also uses pixels, which offers resolution loss and other artifacts such as Miue in a rainbow color.

This takes us to the main negative side: the circulating shutter. The S1R II is actually a little better than the S5 II in this regard, with a total reading speed of about 1/40 per second, or about 25 milliliters in any of the full sensor reading decisions (8K or 5.8K). This can lead to swaying or deviation if you rid the camera around it or photograph fast -moving things. However, it is acceptable regular shooting by hand.

One of the complications is to expand the dynamic range of Panasonic (Dre) that enhances the dynamic domain of the video by stopping, most of them are in the most prominent of the image. Empowering this feature makes the rolling shits worse.

If you need to reduce the rolling shutter, you can simply disable DRE without great success. Fire on 4K at 60 pixels reduces the rolling shutter so that it is approximately equally with the stacked sensor cameras, while still providing high -quality shots with a light crop.

As for video quality, it is Razor Sharp and Color Ardition. The dynamic range at the high end of the cameras that you tested in approximately 14 stops when filming using the Panasonic V-Log, allowing the excellent shade and recovery, especially in Dre mode. It is still very good without Dre, especially if you do not shoot in bright and sunny conditions.

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The AF video is also strong, which maintains fast -moving themes in focus. The face, eye, animals and vehicle detection works well, although again, the system is not based on it just as I saw in the latest Sony and Canon models.

S1R II offers more installation options. The optical installation provides good results for the portable video, while the electronic installation (EIS) works to calm things more. Stirring this provides until the highly aggressive EIS setup is a gypsy -like softness but offers a large 1.5X crop.

Along with these, Panasonic presented something called “without cultivation”. This setting benefits from the unused areas of the sensor to correct the typical corner mutilation with wide angle lenses with a deviation repair. I have found that it works very well to reduce the rolling shutter even for fast and walking pans, which may help reduce such concerns for some creators.

So yes, the rolling shock is worse on this camera than competitors like the R5 II. However, there are ways to work around him. If the minimum deviation is an important advantage, do not buy S1R II, but it should not be a problem for most users, especially at this price.

conclusion

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S1R II is the best Panasonic Hybridless without a mirror until now, as it offers a great balance in photography and video power. It is also the cheapest new camera in the full, high -resolution frame category, as it undermines its competitors like Canon’s R5 II and Nikon Z8.

The main downside is the shutter that mainly affects the video. As I mentioned, it will not constitute a problem for many content creators and there are solutions. Aside from it, it offers great image and video quality with innovative features such as electronic installation without cultivation.

If you need more precision, Sony 61MP A7R V provides a little better image quality. And if Rolling Cankter is really a problem, I recommend Canon’s R5 II (although this model costs another $ 1,000) or Nikon Z8. If you want to spend much lower, the Canon R6 II, even Panasonic’s S5 II or S5 IIX are solid choices. For other hybrid archers, though, the Panasonic S1R II is a great choice.

This article originally appeared on Engadget on https://www.engadget.com/cameras/panasonic-s1r-ii-review-e-excellent-hybrid-camera-thats-theder-than-divals-163013065.html?



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