Metacritic Top TV TV TV program is Cartoon Network

Only one caricature on the list Five best TV shows of all time, according to IMDB. On metacritic, however, things are different. Instead of based on the degrees of users (which are vulnerable to supervision and vulnerable to the bombing review and other forms of prejudice), the metric rules often escalate on the scores of the review – but not only the fresh, arbitrary/corrupt result, which is an actual degree. This means that these are actually the cartoons that have the highest review levels, which are close to perfection.

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It was granted, there are still many problems with any kind of list coming from the audit complex, starting with a limited number of reviews of the older titles by the era of bloggers films and television. If there are only a few reviews, but all of them are classified, does this weigh more than a modern offer with a little less but more reviews?

However, the list of the most classified animation is a great collection of somewhat unusual suspects, even a few offers you usually do not think about the traditional cartoons.

The undisputed, undisputed TV show, the highest in all times, according to Metacritic, is “Samurai Jack” from Genndy Tartakovsky. The moving legend has no single width, but two widths in the best 5, as the second highest classification cartoon is Tartakovsky “Primal”. On the third place, the American Cultural Corporation “The Simpsons”, followed by the jewel of Rotoscope “retreat” and finally one of the best video game modifications in all ages in “Arcane” as No. 5 – from the stranger, the sixth place goes to the documentary series “Prehistoric Planet” which is an order Technically, animation, but it is often not considered cartoon.

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Genndy Tartakovsky is an American animation treasure. He had already made a huge splash with the “Dxter Laboratory”, the first cartoon cartoon, a non -American TV cartoon show forever, and it was a great mix of comedy sensitives in Tex AVEY, and anime photos, Sam Raimi referencesAnd much more. But with “Samurai Jack” (which contains incredible 93 Metascore) make tartakovsky masterpiece.

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The show was unlike anything else on TV. The story of the samurai travel that is going through time to prevent a devil from its formation from seizing the world as if Akira Korosawa made a scientific cartoon. Even the honorary Jack looks like a character from the movie Corosawa, Rutik and Non -moving, but he is still incredibly complicated and emotional. Network broadcast restrictions It means that the show should be accidental, and Jack could not raise a lot. This “Samurai Jack” allowed to explore countless species, tones and stories. Jack’s behavior, which also does not change volumes, speaks of his determination. However, by the time we got to the revival, determination and stability will turn into despair, and Tartakovsky produced some of the best stories on TV regardless of the broker.

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One of the strengths “Samurai Jack” was that, in addition to the great humor, really amazing and motor action, this was an offer that knows when things to breathe. Tartakovsky is a student of all kinds of animation, but he often talks about being inspired by Bob Klamit, Tex Affiri and Chuck Jones, who often left the physical story of the conversation and narrated stories without a little dialogue. “There is a lot of dialogue about animation at the present time, and I try to highlight by forcing you to pay attention to silence,” the animation said in favor. Spoiled tomatoes In 2019, “Samurai Jack” is full of quieter moments, extending long periods of dialogue that allows characters to think about the story, an unusual level of meditation in American animation. Add an uncompromising work, often brutally to revive the “samurai Jack”, and you have ingredients for the second Tartakovsky masterpiece – “Primal: Tales of Savagery”.

“Primal”, in many ways, a spiritual successor to the ideas and craftsmanship that Tartakovsky was explored in “Samurai Jack”. Metascore 91 only reflects the difference in anything else this offer. Tartskovsky made for him Emotionally destroyed, Magnum Obus visually raised This is completely free of dialogue – and when there is, it is in an old language that never translates the audience – which allows emotional scenes and scenes of the movement breathing to build the anticipation. The exhibition also uses the audio design and the result to give the procedure sequence a sense of rhythm.

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But what makes “primitive” stand out as the development of the Tartakovsky profession is the increasing brutality and how it goes alongside emotions. Although the scenes of the movement and the emotional scenes in the cartoons before, they have never been mixed, as well as in “Primal”, which is constantly a Telegraph show that every brutal fighting and Gnarny are born of the need to survive in a harsh world. Every battle, regardless of how exciting, comes with a feeling of sadness and sadness for those who lose. The show is accompanied by these fighting scenes with exciting music instead of exciting and exciting music. It makes the work tragic, like the first meeting between Vang and Spir.

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But this is also an offer, such as “Samurai Jack”, such as “Dexter’s Laboratory” and “Sym-Bionic Titan”, knows when they appear the strangest and most beautiful possible things. From a cave man who rides a dinosaur to a battle, to a zombie, to a huge floating ship with a pyramid at the top, never gets rid of “primitive”, but constantly provides larger and bolder ideas. It makes Tartakovsky one of the best ever, and its performances are the highest cartoon ever.