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The first movie from the movie Agatha Christie was Leslie E. Heescot and Julius Hagin entitled “The death of Mr. Quinn”, which was released in 1928. This was eight years after her first work, “The mysterious issue in Styles”, so it was still completely active when the film’s publications began to appear. Beginning in 1930, Christie also began overcoming the stage (starting with “black coffee”), so it was already a media empire for itself, years before this thing became. As of writing this report, there was About 50 official amendments to cinema to Agatha Christie novels And short stories, approximately 40 TV films, not to mention the long-term TV programs “Agatha Christie’s Poirot” (1989-2013) and “Agatha Christie’s Miss MARPLE” (2004-2014), in addition to a full set of projects in which the personality herself is, including 2022 “see how to work” (photography ” above).
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Backing into the many radio Christie modifications will take a long time here, and it will be to mention all the secrets of the killing that Christie inspired. It was prolific, and this huge area of killing in killing, and one will be forgiven to believe that it represents the majority of it. He was told, I wrote 74 novels And 16 plays, and published 16 collections of short stories. Christie continued writing books until 1973, and died in 1976 at the age of 85.
Of course, due to the many modifications that were photographed for its work, Christie had to sit through a few bad adjustments. In fact, some adjustments were so terrible, to the extent that her friends warned her against seeing them. I was prevented from seeing the movie “The Alphabet Murders” for 1965, saying that “my friends and publishers told me that the torment would be very cool.”
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Radio 2017 piece She revealed that Christie did not have many kind words for her films in general.
Agatha Christie was not fond of many films on the basis of her works
The Radio Times article indicated that Christie is really, truly The performance of actress Margaret Radford, who played a strange comic version of her investigator, Miss Marbel, hated four feature films in the 1960s. I felt especially embarrassed by “Murder, ahoy!” 1964, saying that she regretted the sale of the movie’s rights to Miss Marvel. “It was my fault,” and I quoted her as saying. “Someone does things for money, and the other is wrong to do so, because one parts have literary safety.” Och.
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Christie said elsewhere that it was not a truly Radford’s mistake. The author’s secretary moved In the Smithsonian magazineThe relevant words of Christie when she said: “Miss Radford is a great actress. She is not like the idea of (Christie) about the idea of Miss Marbel.” However, Christie wanted to prove that she had not had difficult feelings towards Rutherford, and even devoted her story to 1962 “The Mirror Crack’d from side to side” to the actress.
In her autobiography, a useful title “the biography ,” Christie stumbled against her film modifications in general, upset from one for one reason or another. Her most general complaint is that many filmmakers wanted to make the stab wounds of the eccentric comedy. For “The Alphabet Murders” – those that were prevented from seeing – the producers originally wanted the comedy actor Zero Mostel to play its investigator Hercule Poirot, an idea that Cristi rejected. The directors went with Tony Randal instead, which seems to be down.
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Christie until he hated It was widely celebrated for 1974 for “Murder on The Orient Express” Directed by Sydney Lumit. “It has been made very well, except for one mistake that I cannot find in my heart to forgive,” she said. She hated that Albert Fini, who played Beirut, was a comic actor on his huge strange mustache. Christie hated how it was “funny”.
She also resented that some saw her stories of death and death as strange and warm. They are not. Read them, and you will find nothing but shadows.
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