Agatha Christie air conditioning is impossible to watch today

Hercule Poirot is a routine creature. The most famous fictional investigator in Agatha Christie (regardless of Miss Marbel) My curriculum is frightening in his investigations, and this personal lifting extends to everything he does. This mania with a system or routine serves a purpose, of course. The detective in Poirot is very trained to identify patterns so that the most accurate contradictions emerge. This, along with a talent to solve the secrets of confusion, constitute breakthroughs in Poirot, which makes him not higher. While it starts from eccentric in most social situations, Poirot’s awareness of the motives and human desires ensures that it is always one step forward. These characteristics are more distinguished in “The Wasp’s Nest”, a short story published by the name Part of the “Hercule Poirot” group.

Early Poirot offers a glimpse of a good detective’s life before it earns international fame, and some of these stories are somewhat captivating. An example: The group “The Cornish Mystery” includes, where Poirot takes an unconventional path to solve the mystery of the killing after his inability to collect evidence of the perpetrator’s motives. “The Wasp’s Nest” is also a boy who is different from standard Poirot as it includes a dear friend, John Harrison. In this short story, Poirot randomly visits Harrison on the pretext that in the area to investigate a murder that has not yet been committed. After exchanging compliments, Poirot inquires about the nearby broadcast, and revealed that Claude Langon-friend of Harrison-is planning to destroy it with a gastum injection. After that, a series of strange events is forced to participate and end the conclusion, ending with a deliberate crime before it is too late.

Although Christie was not a fans of TV as an adaptive means, she personally participated in the 1937 Teleplay making of “The Wasp’s Nest”. Unfortunately, the live broadcast of this adaptation has not been registered at any time and is now considered the missing media. What happened here?

According to Issue No. 715 of Radio Times (across Well mediaThe “The Wasp’s Nest” was 1937 The first adaptation of Christie sourceWith the cinematic actor/theater Francis L. Sullivan takes the cloak of Beirut. Wallace Douglas, Da Clark Smith, and Antoinette Selir set the rest of the actors. This advertisement was followed by a summary of the Sullivan profession in the theater, along with a brief list of the most detective stories in Christie. This game was done remotely and broadcast live at Alexandra Palace (an entertainment place partially rented to BBC Production and Transition in 1935), as part of the BBC “Theater”, which often shown popular plays. It was clear that “The Wasp’s Nest” was an exception, because it was not a successful play with many repeated performances, but she found her way to the coordinated channel program anyway.

However, Teleplay Live was only performed twice on June 18, 1937: Show for 25 minutes at 3:35 pm and an evening width 9:40 pm that lasted 20 minutes. None of these shows has been recorded, and this is a shame, because this is the only example in which Christie wrote the TV scenario to adapt her own work (which was used). The only evidence of the presence of Teleplay is the radio article mentioned above, and it is a three -line review of “The Observer” (which is built as “excellently done”), and a picture behind the scenes of Christie with Sullivan in the role of Poirot. However, the good news is that Christie’s scenario has survived and is still available for theatrical production he wants to reach.

Are there any other modifications for “Nest of the Zanbur”? Yes! “Agatha Christie’s Poirot” is characterized by ITV (which was first broadcast in 1989) with a episode entitled “Ash Wabeers” in the third season of the exhibition, with the role of David Sushite who plays the role of Harkol Beirut. Although this episode is still sincere for the basic hypothesis of the short story, it plays with the sequence of events to create a more cohesive and exciting drama that provides a great detection with appropriate prosperity. Director Brian Varneham fills the gaps by injecting conflict or added drama, which increases the feeling of mystery in this unconventional issue. The episode also features a young Peter Kabeldi like Claude Langon, and every performance is made beautifully in this 50 -minute episode.

Although the permanent loss of Teleplay 1937 is certain, make sure ITV is reviewed, a treatment for anyone who loves puzzles and Hercule Poirot.