A new children’s offer will come with an encryption wallet when this autumn appears for the first time

A new series of animation that is expected to be shown this year will not be directed to a television network. Or broadcast service. Instead, the Bhosted Media Planning Production Plan on a central web platform uses Blockchain technology.

And yes, the encryption wallet will be involved.

We have gave the media – which I founded Chris JamalAssistant Director for “Bob’s Burgers” and Jacqueline DemasHit Children’s Show “PEG + CAT” – is a TV production studio that gives up the traditional displaying ways in favor of the decentralized approach, usually referred to as Web3.

The studio announced on Friday that it was cooperating with Plate To launch the new animation series, entitled “Owen Nowhere.

Lamina1 was established by The author of “Snow Crafts” Neil Stephenson It was launched in 2022 as a Blockchain Platform 1 layer 1 designed to give creators an environment to protect, control and invest in intellectual property. However, the comprehensive task of Lamina1 is to build an open hint. Stephenson’s vision of microwaves – a concept formulated in his famous novel in 1992 – consists of a virtual world where users get three -dimensional Avatar.

Blockchain and Metaverse technology is the tanner words in the world of technology and were slow to achieve collective dependence. Submit a child’s offer in this space is particularly bold, taking into account the production studio, it will have to know how to move children to a platform that requires an encryption portfolio.

But Jammal and Demas screaming at the freedom of a decentralized platform, which allows the public to interact and even participate, as a selling point that will beat users.

The new exhibition focuses on Owen B. Depression, an ambitious content creator on a family road, and documenting their visits to extraordinary tourist attractions, starting from the largest in the world. Family dynamics are funny, sweet, and a bit disturbed, which is characterized by adopted vampire fathers, Owen, a magic transformation, a pet cat, and thickness in a vehicle.

But as I told Jammal and Demas Techcrunch, this is more than one offer. It is really related to their mission in setting a “new standard for entertainment for children in the age of decentralization.”

The project will be developed and displayed on Lamina1 spaces that have not yet been launched, and it is an offer that enables creators to create their virtual worlds. In these worlds, creators can build interactive experiments, digital elements, and the content in different formats, including 2D, 3D, augmented reality (AR), and virtual reality (VR).

Jammal and Demas “Owen” is not a place “as an overwhelming experience that allows the masses to interact with the world and contribute their ideas in this series.

The virtual space will also include exclusive content behind the scenes, the achieveable digital assets and the online community -based experiments, such as voting. The studio believes that the most attractive feature is the opportunity for viewers to make the main decisions of the story, such as proposing destinations for family adventures.

“We were thinking (fans) to vote for what depression could travel after that. Do you want them to come to your hometown? They may want to buy this souvenirs chosen by Owen in Grand Canyon (as) their digital origins. They may want to change his clothes.

Although it is clear that this show contains all the ingredients that must be emerging with viewers and possessing their attention, there will be challenges, including persuading parents to manage an encryption wallet for their child.

Parents may worry that the definition of children with this ecosystem, even indirectly, can expose them to financial manipulation or loss, even if the parents are the ones who control the wallet.

However, some parents are more open to this idea, as some send their five -year -old children to Summer encryption camps. In 2022, Zigazoo Enter NFTS for several IPS, including Cocomelon.

“It is a big discussion. It is like,” What are the permissions we need in place? “I will not tell you that we have the perfect answer now … we will learn real quickly with the development of this, what protection should be placed in its place.”

The digital assets of Owen Noorher are placed as a means of the masses to participate in the exhibition and enable them to contribute financially to the production of the show by owning digital holdings – including artworks, personalities and clothes – strengthening a society of supporters who invest in its success.

“The distinctive symbol can be used as a symbol of loyalty, it should not be about criticism, trade and traditional encryption objects. It relates to distinctive access and reward those who share things, who make really creative contributions to society,” Parkin explained.

While the new series is primarily aimed at children and pre -teenagers, it is also designed to attract adults. This is similar to how to attract “Bob’s Burges” many adult fans through his cheerful stories about paternity and motherhood.

Parkin said: “We do not follow this supercomput,” Parkin said.

However, they may need to deal with this with transparency and perhaps even parental controls to attract their entire audience.

Lamina1 distance product is to be launched in the fall. There is another virtual world called “ARTEFACT”, which is a project by the WēTā Video Effects Company, known for its work on the “Lord of the Rings” trilogy.

Lamina1 raised $ 9 million so far from prominent investors and angels, such as the co -founder of LinkedIn Red Hoffman and founder of Bloq Matthew Roszak.