The fighting Christopher Landon is fighting to preserve the original films alive (exclusive interview)

First, I would like to mention that this is before Premiere tonight. How do you feel?

I am somewhere between full bliss and extreme terrorism. It changes every minute for me. I am really excited to finally get this there and see it with a really large audience, especially this audience, because this is the most wonderful festival, I think, in the world. I love the fans here. I lived here long ago.

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Oh, right?

I did. So I was part of this cinema community for a long time, so I am excited to return here. So yes, many feelings. It is very emotional for me.

Well, I think there is one thing, I don’t know if you get enough balance for this in recent years –

no. (He laughs))

((He laughsA good answer. It is difficult to get original things, especially now, and have been able to get original things through the finish line. How difficult is this with a movie like this, especially now, after the strike, after strikes?

It is more difficult than before, yes. I am very sad, at a very difficult time, everyone was panic and done things that changed the behavior of the audience, and I think it is in many ways irreversible.

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Agreed.

This is Bomer, but I think people are slowly recovering to the idea “We cannot get nice things if you don’t take care of them.” I think people still appreciate the experience of going to a movie, and this is the perfect movie for the audience. It is an enjoyable and enjoyable experience. I hope people appear.

I think we have two great stars in height. This, I think, help. I think we have a truly clean and exciting hypothesis that helps and some relativity because we all sneak into these things (His phone carries). More than anything else, I think the word is still the best weapon you can get. I pray that people love the movie and talk about the movie. Especially after tonight.

Look at Brandon, who was “ending with us” last year. How intelligence is when that happened? You are like, “it’s in my movie!”

Both were amazing, then it became a terrifying thing. ((He laughsIt is very funny, because I knew the movie because it just finished filming it when I threw it, but I did not know anything about this movie. It is not my steering wheel. So he left the left field for me, and I think for many people, his success. But it was definitely a blessing.

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I worked with Blumhouse a little. I have worked with Blumhouse years ago, and I have worked with Blumhouse now. I think Blumhouse had to change with the change of work. Before, Jason Bloom was like, “Here are $ 5 million, go to manufacture your movie.” I don’t know if Blumhouse gets enough balance because it is provided for the original cinema, but how much it changes in work over the years? Or is it?

I think their mission has preserved. I think they are still really seeking to make original things and want to risk. They are the only residents of risk, and I think, there, to be honest. Unless you talk about deep deep pockets in a couple’s places like Amazon or Netflix, which bear some risks. I don’t know what they are. They are the dangers of algorithm. I don’t know.

certainly.

But I believe that the Blumhouse is able to preserve and protect it is the original films, as well as protecting and seeing movie makers. This is still the best and greatest reason to go and work with them, which is why I still go back again and again, because you have freedom. You have independence, don’t bother you, do not tell you what to do. It is very cooperative and it is your movie, for the best or the worse. I think this is great when most things are made by the committee now.

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